Friday, December 09, 2011

You Better Watch Out...

Christmas Season is with us yet again, and with it comes the onslaught of holiday specials, songs, and what not to get you to, dammit, BE HAPPY. And Buy Things. 'Cause Santa, and his pal, Jesus, they LOVE Happy Shoppers!

OK, a bit overstated, but as much as one can appreciate the good things about the season, it's very hard to ignore the cynicism that's not quite as hidden as it is for most of the rest of the year. Which is why, as much as I do appreciate the true spirit of the season, I tend to gravitate towards alternative Christmas ephemera - BUMMED OUT XMAS and Mojo Nixon's HORNY HOLIDAYS get as much play as the soundtracks from HOW THE GRINCH STOLE CHRISTMAS, and A CHARLIE BROWN CHRISTMAS. And as far as seasonal viewing goes, the only traditional Christmas movie I tend to like is the Alestair Sims headed A CHRISTMAS CAROL. Everything else seems to try a little too hard; and attempts to bring more modern programs into play are too hardsell (I like A CHRISTMAS STORY, but a full 24 hrs every year causes me to like it less and less; I don't even want to get started with ELF or FRED CLAUS, which I just loathe for various reasons).

So, who can I turn to, to satisfy the Cynical Monkey on my back, to justify my bad attitude and suspicion of the season?

The Europeans. As I stated last year, Santa Claus is a far, far more complicated figure in Europe than he is in America. The American Santa is pretty much sanitized and homogenized "for your protection" and to be able to push product quickly & with no questions asked.  Overseas, in the 'old country', the Santa figure is a bit tougher - hell, even the English 'Father Christmas' supplies weaponry in the family classic THE LION, THE WITCH AND THE WARDROBE.

Which makes it a great moment when there are TWO movies currently out and about where the whole concept of Santa is turned 180 from what we expect, and both have great fun in the twisting.

RARE EXPORTS, which had a theatrical run last year, is now on disc, just in time for the holiday - and it's one that the older kids can actually watch. Inspired by two short films made about the concept, the feature film is actually the prequel and fleshes out some of the background and material featured in the short films (which are included with the disc, and of course, should be watched AFTER the main feature).



It's lots of fun, with its twisting (or rather, untwisting) of the Santa legend, and adults can probably see a smidgen of commentary on commercialism and how even the most horrible things can be adapted to make an entire cottage industry. Older kids can like it because the hero of the film IS a kid, who proves to be much more on the ball than his adult counterparts. And even though things can get a bit... intense, the tone and level of scariness/violence is comparable to the original GREMLINS.

For much older kids and cynical bastards, there's SINT - it hadn't yet made it to the States after doing massive business in its native Netherlands when I mentioned it last year. IFC Films picked it up for the U.S. and has been making the rounds in limited release and VOD for the past month (it premieres in Kansas City as I write this). SAINT (English spelling) is another twist on the Santa story - one where the original Saint Nicholas wasn't that great a guy to begin with.


This 'St. Niklas' roams from village to village during the Middle Ages with his crew of brigands, pillaging and laying waste to whatever's in their way, until a group of peasants decide they've had enough and they put an end to the gang - or so they think. In revenge, St. Niklas and his crew return from beyond the grave to destroy the village (now called Amsterdam and having grown considerably) every full moon on Dec. 5th, which comes about every 32 years... which happens to be NOW.

If, while watching SAINT, you happen to be reminded of certain films of John Carpenter - say, like HALLOWEEN and THE FOG, it's not accidental. In fact, I wish Carpenter had directed something like this instead of THE WARD or that 'Masturbators of Horror' crap. It's deliberate homage that director Dick Maas treads, while also adding his black humor to the horror. Anyone who can handle the subject matter of a murderous zombie St. Nick and his minions, making it both scary AND funny but not stupid is a man to be reckoned with.

Maas isn't a well known name in the U.S., but his work is -- his previous films AMSTERDAMNED, THE LIFT (which he remade for the U.S. in 2001 with Naomi Watts, titled THE SHAFT) are a mix of horror/thriller leavened with black comedy. And he directed videos for Golden Earring - "Twilight Zone" and "When The Lady Smiles", which continue that mix. SINT is definitely NOT for the kids - and the tone will be off putting to some, but it'll be catnip for quite a few. There's a strong possibility that SAINT 2 will be coming down the road soon - and Maas already has a new thriller/comedy, QUIZ, that will premiere next year.

Pretty much the only alternative Christmas icon left untouched is Krampus (though THE VENTURE BROTHERS was the first American program to mention it, followed by SUPERNATURAL)...



... though I'm not sure that it'll ever be big in the U.S. The spirit of it, many could get behind; but it may be a bit too gruesome for Americans, who like their Christmas icons (and their politicians), to be squeaky clean and good-looking. Although, there was an attempt at an American Krampus, of sorts.
The name NACKLES will probably not mean anything to a lot of you, but for a select few, some will know that it's a short story by Donald E. Westlake (writing under the pen name 'Curt Clark') published in the early 1960's. Go ahead and read it - it's a pretty nifty piece of Christmas Chill.

When THE TWILIGHT ZONE was revived in the mid-80's, the story was planned for adaptation for its Christmas episode, to be written and directed by Harlan Ellison... but of course, things didn't go as planned, the episode did not get made, which led to Ellison walking off the show - an entertaining and complex story which is merely nutshelled here; Ellison did do an essay for TWILIGHT ZONE magazine about the entire affair, which also printed the original story and Ellison's teleplay -- all of which (The NACKLES Affair) can be found in the paperback edition of SLIPPAGE, a collection of Ellison short stories. Although we'll never see that teleplay performed (*sob*), you can, though the magic of The Internet and YouTube, get an idea how it could have looked, albeit 'Old School TZ'

A group of high school students adapted the story for a class; unfortunately, YouTube has blocked the concluding segment (due to copyright - song use, I'd guess).

And to all, a good night...

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Wednesday, October 26, 2011

Halloween Treats

Oh my... what a few months of indolence and industry will do to a blog's output... Now I'm also faced with the option of making cosmetic changes to attract new readers like flies to... well, you know. That will not happen until sometime in the midst of holiday season, I think. Until then, I bring you news of Good Things:



The KC Creepfest is the weekend of Oct. 28-29 and one of the main events will be the first public screening of Patrick Rea's second feature (a 'test-screening' and NOT an official premiere, so I gather), Saturday evening, with a Q & A with the filmmaker. So come on down, if you have the chance to... this has been building some buzz for quite some time, and I think that a lot of people are pretty anxious to finally see it.




Another Halloween treat is THE SLASHER KINGS, a multimedia show from the brain of playwright Ron Simonian. A rock Supergroup comprised of the most notorious horror film characters... that's sort of bringing to life the twisted urban legend of Charlie Manson auditioning for The Monkees - and WINNING A ROLE. The show debuts Oct. 27 and runs through Nov. 6, so if you don't make it by Halloween, you'll still have a chance. The show is preceded by an introductory short film, which I'm proud to say I had a part in its production - hopefully, I'll be seeing this on the weekend and will report back.


I'd also like to call your attention to two more things....






 Casey Scott has been a good friend since meeting her on location in Ohio for the film 5 YEARS [aka THE HIDDEN] back in 2000. Since then, I've slowly discovered The Cult of Casey, which has been in existence since her album CREEP CITY. It's been difficult to find some her output (Diva Machina, Red Venus Love Army), but not completely impossible. Now she's getting ready to record a new album, GLORIE INCOGNITI, and like most artists who're working outside the corporate structure, she could use YOUR support. Hence, an IndieGoGo campaign to do just that - If you'd like to find out more, or to donate, just click on the widget, which will take you to the project page and give you all the info you need.

BTW, I did the editing on the promo video, which gives you a little taste of Casey.





 Actor Blake Robbins (who you've probably seen in OZ, THE OFFICE, the Hanes sock commericial, THE ONLY GOOD INDIAN and RUBBER to name a few projects) is prepping for his feature film debut, THE SUBLIME AND THE BEAUTIFUL, to be shot in Lawrence, Kansas during the winter. Blake is a wonderful talent; please check out the Kickstarter page and if it sounds like something you'd like to see, take advantage of one of the options offered.

Usually, I'd be posting reviews of films seen, especially since I always try to find obscure gems during The Witching Season. For recent film reviews, take a look at 366 Underground, my recurring gig over at 366 Weird Movies. Reviews will gradually get back here, in dribs and drabs, and as far as Halloween viewing goes - STOP WATCHING TORTURE PORN AND SHITTY REMAKES OF FILMS THAT DIDN'T NEED THEM!!

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Monday, June 06, 2011

Don't you wish every Movie Theater was like The Alamo?

Best. PSA. EVER!!!






Remember The Alamo...

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Sunday, April 03, 2011

It's FilmFest Time!!

Happy New Year, everyone! Yes, I know that it's just a tad late, but you know how these things are.  Personal turmoil and all that comes along with it -- The Good News is that everyone made it through surgery and they're recuperating nicely. The Christmas Miracle of December transmorgrified into January's Fresh Hell, as Christmas Miracles sometimes do.

With Spring, comes FilmFest to Kansas City - excuse me - The AMC Kansas City FilmFest, as the official titling goes. That kicks off this Wednesday, April 6 through April 10.

Here's a two-part interview with founder Fred Andrews, who provides some history, from when it started as The Kansas City Filmmaker's Jubilee to its current incarnation as FilmFest. This was intended for an article last year about the festival, but the publication it was intended for no longer exists... so, not one to waste material, it became the latest from Cheap Bastard Filmworks.







My personal picks are:


WED.
Togetherness Supreme
Rainbow Town
Henri-Georges Clouzot's Inferno
Anatomy of Vince Gauaraldi

THURS.
Andy Anderson Shorts/Detention
Seminar: Art Direction for the Indie Filmmaker

FRI.
The Pruitt-Igoe Myth
Brotherhood

SAT.
Au Pair, Kansas
Homecoming
Pruitt-Igoe Myth
Seminars: The Big Idea


And I recommend any and all of the shorts programs.

You can find trailers for some films, as well as information about tickets and a link to a downloadable program on the FilmFest site.

Disclosure: I did work on AU PAIR, KS, and the FilmFest is the place where it will be making its world premiere, then on to festivals in Minnesota and Oklahoma.

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Sunday, December 19, 2010

... 'Tis the Season

Christmas just seems to creep up on one closer and closer each year. I try to tune out most of the hype to keep something special about it to me; it works with varying degrees of success. Whether one believes it's the birthday of a deity or the usurpation of a pagan holiday tamed into a spiritual holiday, then warped into a celebration of the REAL God of Our Worship - namely Money and the Goods That It Buys - there is something special about the time of year... it's mainly up to YOU how special it is.

Thus endeth the sermon.


A Christmas miracle of sorts has occurred; namely regular employment - or at least the start of it. As usual, it's of low character and substance, but as long as I can fake it long enough, then things will be alright... right? It may put a crimp into the other activities I was doing, but it's not like those were making any money, eh? And money is indeed the lifeblood of most anything one wants to do these days. So, we'll see how it goes.

Another Christmas tradition - in Britain, anyway - is the telling of scary tales around the season. Just look at A CHRISTMAS CAROL... and it was a tradition in Britain in the 70's to broadcast such tales, usually adaptations of stories by M.R. James (look it up). A collection of those tales got passed around under the heading of A GHOST STORY FOR CHRISTMAS. DVDs of these shows appeared in the UK and though they're mostly out of print now, some enterprising souls put the collection out there, along with a couple of fairly recent attempts to revive the tradition, and the show that kicked it off, a late 60's adaptation of the James story, "Whistle and I'll Come To You."

Most of the shows are deliberately paced, and there's no gore to speak of. The emphasis is on atmosphere and a growing sense of unease. Those who like their horror to be slambang and bloody will be disappointed at the lack of body parts strewn about, along with boring things such as character interaction. But then, British horror has never been all about goosh and gore; it's more on how the Uncanny intrudes upon the Familiar, and turns understanding of one's world upside down...
Not a bad thing to be reminded of, in my view.  Putting the 'scare' in Christmas seems to be spreading - Santa in the European tradition, has long been a figure much more complex than the jolly fat man pushing consumerism in America, and two new films from Europe, RARE EXPORTS and SINT (Saint) are ready to ride that wave... it's only a matter of time before Krampus gets his own horror film.

They're certainly better than END OF THE LINE, a film that I heard a little about a few years ago, then it dropped from sight, until finding it recently.



It's not a bad film... in fact, its central premise is a pretty good one. However, for me, it's somewhat too fatally flawed to give it a total pass, and you can probably spot those in the trailer (which really gives too much away about the picture).  It could lose its first 25 minutes or so with no detrimental effect to the picture... some of that is unnecessary shock/jump effects and background that really doesn't add anything pertinent, except stripping any ambiguity away...

And even though your effects guys are pretty good - know when too much is TOO MUCH.

It sounds like I'm down on this film... I'm more irked that with so much it had going for it, it got hobbled by some bad decisions. It is worth looking for, though.

Way better was the local library getting in its copy of AMERICA LOST AND FOUND: THE BBS STORY, which in its DVD incarnation is in several discs, which the library decided to carve up and circulate as separate packages. THE KING OF MARVIN GARDENS was saved for me, along with the one I really wanted - HEAD!

In Widescreen, with commentary from all The Monkees, and with some very tasty extras, including a recent interview with Rafelson, an overview of BBS, some trailers including one I hadn't seen before, and a good photo gallery.

God Bless Us... Everyone!

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Tuesday, December 07, 2010

PUNK SIDE STORY - When Broadway and Punk Rock had a one night stand...


Schlong, an East Bay Punk band, had a reputation for twisted covers... such as their TUMOURS ep, a cover of Fleetwood Mac's RUMOURS album. But their crowning achievement was PUNK SIDE STORY, a complete re-do of the WEST SIDE STORY album, with drunken punks taking the place of rival gangs.
You can read about the story of its making here - and judge for yourself by the following samples.


jet song




maria




america




tonight




gee officer krupke




I feel pretty




somewhere

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Thursday, November 11, 2010

"When Dino die, everybody cry," - R.I.P. Dino De Laurentiis


Dino De Laurentiis is dead, alas. Yes, the name has a certain infamy among cineastes - but let's be honest here - yes, he produced a lot of crap, but most of it was highly entertaining crap. He also produced a lot of good films, and helped a lot of directors get a leg up - David Lynch, David Cronenberg, Michael Cimino, Richard Fleischer, amongst a very long list.

And most of those films are die-hard favorites of most audiences out there.

The Bible




Danger Diabolik




Barbarella



Serpico



3 Days of the Condor



Mandingo



Drum



Buffalo Bill and the Indians




The White Buffalo



Conan The Barbarian



The Dead Zone



Dune



Maximum Overdrive



Blue Velvet



Flash Gordon



We will never see his like again in this world - and woe is us.

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